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The study consisted of an online survey with multiple choice and open questions sent out via Facebook, LinkedIn and Twitter from November to December 2017.
The killing forbrydelsen season 3 watch online tv#
Photo: © DR.DK Pressefotos Our online surveyĪn explorative online study was carried out in 2017 with the aim of finding out the motivation and experiences of how Argentinian viewers engage with Danish TV drama series.

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Lack of police corruption made Argentinian audiences question the realism of Danish TV series such as The Killing, pictured here.

As a consequence, Danish TV series in Argentina were watched by a small and dedicated niche audience. Audiences who missed this time window had access to the series via diverse – and usually illegal – streaming or downloading websites where it is difficult to find a complete season or correct subtitles. Netflix Argentina offered the American remakes of The Killing and Bron/Broen ( The Bridge, SVT1/DR1, 2011-2018) in their bundle ( The Killing, AMC/Netflix, 2011-2014 The Bridge, FX, 2013-2014). No free-to-air channel has broadcast Danish drama, and the original versions of Borgen (DR1, 2010-2013) and Forbrydelsen ( The Killing, DR1, 2007-2012) were only shown on the subscription TV channels Sundance Channel ( Borgen) and AXN ( The Killing) between 20. Neither the original Danish TV drama series nor their American remakes are easily accessible in Argentina. On Argentinian free-to-air television, soap operas are the most popular fiction formats, many of them imported from Mexico, Brazil and Turkey. Argentinians favor news (73%), films (50%), series and fiction (43%) and sport (34%) when they watch television. In 2020, subscriptions were estimated at 40,5% in Mexico, followed by Brazil with 35.1% and Argentina with 7.2%. In 2019, Netflix subscriptions in Argentina hit one million with an average of three users per account (so just under 7.24% of the population). Like in other global regions, on-demand television is growing in importance with Netflix being the lead player for streaming services in Latin America. On the other hand, others warn that public media should desist from being a “serious and boring aunt” and instead promote more attractive content for audiences. On the one hand, some commentators propose that program quality and diversity cannot always follow the logic of audience ratings. As a public broadcaster, Public Television’s objective is to provide cultural and educational programs for the population. Public Television has the lowest audience shares. Among the five channels, TELEFE is the most popular having a 14% audience share. Historically in Latin America, public media have been closely related to government interests. Public Television, which is an institutional brand, is part of the State Public Media System that integrates Argentine Radio and Television (RTA). The national broadcast television has five channels, four of which are privately owned (Channel 13, Channel 9, TELEFE and America) and one of which is owned by the government (Public Television, or Televisión Pública). 70% of respondents claimed to watch content regularly via cable, 50% via free-to-air and 19% via YouTube and streaming platforms such as Netflix.Īrgentinian television consists of private channels, state channels and non-profit channels. However, the last decade has seen a migration of audiences towards cable television, steadily reducing the consumption of free-to-air television between 20.

According to 2017 data from the National Survey of Cultural Consumption, television remained the most popular medium reaching 95% of the Argentinian population. In Argentina, a country of 44 million inhabitants, the market is dominated by broadcast television, although streaming services are becoming steadily more popular. Yamila Heram The Argentinian television landscape
